There was amazing energy up there, so we just asked the couple to close their eyes and take it all in, in a kind of meditative tone, that eases couples’ minds when they’re closing their eyes on the edge of a cliff with a huge scary drop and all, haha. They didn’t even know what we were doing, and neither did we at first, so no goal was really in mind. We just whipped out the prism and winged it. We like it when random unplanned decisions just work!
Okay folks, close your eyes and let’s take all this amazing energy in
Calm
The main composition of this shot is based purely on the couple. Whilst we were up at Taft Point, we spent a great deal of time using the landscape to our advantage, but we wanted to change it up and focus entirely on them. They were central in the frames we were already taking with (almost) an equal amount of negative space around them, and then we stuck the prism in the middle. The location itself is very much a secondary factor in this whole frame. The landscape is bokeh-ed it out and also creates both a light and dark backdrop for the couple.
Center Framed
The focusing for this image was pretty standard and easy. Auto focus was set up for a single shot and the viewfinder was used to lock the center focus point on the grooms face. The frame was then shifted to the right so the couple were in the middle with the prism.
Single Shot Autofocus
Single Point
Grooms face
The way the EXIF is written out follows the common photographic method (with the inclusion of White Balance at the end). Here it is broken down:
Shutter Speed @ Aperture ISO White Balance.
After the sun had set behind the mountain, we had this incredibly soft warm light to use with slight purple hues. We had just changed positioning to get a few more shots showing additional context, which was predominantly backlit. As the light was looking so good at this point and was hitting them perfectly, we decided to change up the angle with the light coming behind us and hitting the couple directly. We didn’t have to do anything with the light – we just let it speak for itself. California light is the best kinda light!
Natural Light
Blue Hour
We use our own custom preset which we’ve tweaked over the last few years to get to what we have today. There wasn’t too much needing changed after applying it, other than adjusting the exposure and color balance bringing some extra warmth to the image. We also used a local adjustment (brush tool) on the bride just to brighten up the exposure on her side a little as her face was a teensy bit more shadowed than his.
The main challenges came from using the prism and bending the light to get the desired effect. It took a few goes of twisting the prism around.
Taking time to move the prism in all directions until you feel like you get the best result. It can take a while to nail this technique, especially if you haven’t used a prism before, but with practice it can be rewarding and add an extra dynamic to your image(s).
Yosemite National Park
Taft Point, Glacier Point Road, Yosemite National Park, California 95389
Mountains
United States
This idea was based purely on a whim and there was no real “idea” prior to executing it. Our best advice, and the way we’ve learned anything, is just try and step outside your comfort zone at times and see what happens. Some of our best images have came from trial and error!
Where are we going?
Account
need help
This content has been marked as Premium and requires an active subscription in order to access it. We’re so sorry about that. But hey, here’s what you can do:
Get access to everything on the site as well as a ton of perks & benefits.
Well then, let’s get you logged in and hide this annoying thingy-ma-jig.