We asked the couple to center themselves in front of the car and enjoy this moment between them, forget that the camera was on them, and to connect with each other. We had our them stand close to each other and we then asked the groom to grab her bum and give her kiss while dipping her (gently).
grab her bum, give her a kiss and dip her, just slightly.
Calm
In photography, it’s always so boring to have the subject directly centered. However, for this shot, I feel like it was perfect. The milky way leads your eyes to the couple and then takes your eyes away from them directing you to the headlights to the desert surface where the dust is in the foreground. Your eyes aren’t immediately drawn to the couple, instead, it takes you straight to the night sky. I thought this worked so well, especially it being vertically shot. You’re able to see the dust in the foreground the headlights, the desert organic landscapes that frame the couple, the snow-capped mountains behind them, and the stars that just fill the scene.
Center Framed
I always shoot in live view, so that I can see how the image will look without it being cropped. This is also a great way to not have too much space above or below the subject. In my camera, I use Face AF + Tracking. I initially focused on the groom’s face, then it tracked it as he leaned in for a kiss. When I shoot, I’m never posing the couple, I usually always have them moving around. Face AF+tracking helps me get those really clear shots while the subject is in motion.
Live View Continuous
Single Point
Face
The way the EXIF is written out follows the common photographic method (with the inclusion of White Balance at the end). Here it is broken down:
Shutter Speed @ Aperture ISO White Balance.
This was shot just after the blue hour, the stars had already started to appear since we were in the desert. It was completely dark. The only light source we had was the headlights of the car which created a dramatic look. The reason things looked so dramatic was that the light behind the couple created a rim light to separate the couple from the darkness of the night, while also illuminating the dust and letting it play a bigger role in the image.
Artificial Light
Night
I used a custom preset. I really just wanted to bring out the stars a little more and not change the editing too much. I wanted the image to still look like it was still taken at night while illuminating the sky and subject.
This was obviously the end of the day, the couple was tired since we’ve been shooting all day. We were all tired, restless, and dirty, but we still had a little bit of energy and sometimes that’s all you need.
It’s natural for us to get drained and exhausted, especially if you’ve been shooting and walking around all day. But just having the motivation and positive attitude to create beautiful art can change that.
Lone Pine, California
Lone Pine, California
Desert
United States
Approach every session wholeheartedly and push yourself to be creative not only when the sun is out but when the stars come out.
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