Photographed by Melli & Shayne

Story

This wedding was styled by an incredibly talented wedding stylist; someone who we had always wanted to work together with on a real wedding and we were over the moon to hear that our couple had booker her to do all the details & styling.

On the day, we made sure to go and introduce ourselves and get to know each other before the start of our coverage. We started photographing little details as they were setting up and doing some “BTS shots” which we later gave them for their own use.

When it came time to photograph the dinner setup – we made sure to get as many beautiful detail shots that we could to not only have for our couple but so we could share them with the vendors and hopefully have them share it too.
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Composition

Rule of ThirdsCenter FramedLeading LinesMid Range

Our main point of interest was the table runner which reached all the way to the ground. We emphasized this by keeping it completely in the frame, and shooting at an angle that allowed the table runner to travel through the image from each side. We also crouched slightly so we could include a bit of the candles & distant setting too.
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Try and let elements run through your image from side to side, taking the viewer on a journey throughout your frame

Focusing

Single Point Focused on The table runner Single Shot Autofocus
Since our focus was on the table runner, we moved our single point autofocus over it and let it lock on before firing. The light was a little dim but nothing the camera couldn’t focus in; and since the table wasn’t moving (and we were as still as possible) we didn’t have to rush with it.
Light & Weather

EveningIndoorCandles

The main light source was coming just out of the frame and to the left – which was a barn door that was slightly closed to darken the room just enough to let the candles have a bit more ambiance. The candles, while not responsible for lighting the actual table too much, were a great addition to add a bit of romance to the shot.
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Equipment & EXIF

1/160 f/2 ISO 250 WB Auto

Camera

Canon 5D Mark IV

Lens

Canon 50mm f/1.2 L

Editing

Adobe Lightroom Classic M&S The Roots Presets

Software used:

 

The edits are made to be warmer with a big focus on skin tones and light play with shadows and highlights. A few minor local adjustments were made (Gradient and Brush) as well as finishing off with a fine layer of grain. The whites are not blown out nor are the blacks 100% crunched.
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This image was edited with

M&S The Roots Presets

Challenges & Solutions
The main challenge was finding a composition the balanced the overall image. We found that it could be a bit tricky to get just the way we wanted it. Since there were so many details, it was challenging to find a composition that wasn’t overwhelmed with points of interest.

Location

Wedding / Event Venue Germany

Vila Vita

Eventscheune Dagobertshausen, Im Dorfe 14, 35041 Marburg

Final tips & Advice

When shooting the dinner set up where there are candles, try and get the stylist to turn on the candles. They look so beautiful in the image and really add a lot of life to it.

As much as you should be doing your absolute best for your couple all the time, if there happens to be a vendor that you admire working on the same wedding, go that extra mile and take some pictures that you know they will like and would likely use. It’s a bonus if they share it on their social media, but the real score is building up a relationship with them.
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Melli & Shayne

Photographer Germany Canon 5D Mark IV Canon 50mm f/1.2 L
We are Melli & Shayne, a couple coming from vastly different worlds but have been inseparable ever since we met in Zanzibar. We have been passionately capturing love stories since 2014 and have loved every step of the way. We love to meet fellow photographers, to share our knowledge amongst a bottle (or two) of wine and support every one wherever we can.
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Everyone fails. It’s how you take it that will separate you from the rest. Failure is a lesson. And knowledge is a win.

Designed with love by Katharina + Katharina & Shayne Thomas. Background image by Adrián Vilanova

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