We asked the groom to carry/cradle the bride as he walked into the water with her. Once he got just deep enough to cover his feet, we then asked them to turn towards us and to really go in for a nice gentle kiss. We encouraged our bride to bring her hand up to his face and pull him in gently which absolutely contributed to the intimacy of the shot. Finally, our bride naturally crossed her legs, but had she not, we would have asked her to do so.
Okay, guys, let’s have you [Groom] carry [Bride] in a sort of “cradle” fashion. Like a baby. And walk with her slightly into the water. Not too deep but just far enough to cover your feet. Awesome! Turn around and face us, perfect, and go in for a kiss. [Bride], bring your hand up and gently guide him in and caress his cheek as he is kissing you. Keep it going, guys! Don’t worry about the dress! It’s just a bit of water
Since we had cliffs in the background, we didn’t want to have that intersect our couple. So, we raised our camera slightly and while looking through the live view screen, we could compose our shot so that the couple was framed within the water. We also noticed the rocks coming in from the left of the frame and positioned ourselves so that it wasn’t directly behind them. This created a kind of natural framing that helps bring the attention to the couple directly.
Center Framed
Focusing was very simple in this shot; we just moved our focus point over the couple and let the camera lock on. Since using mirrorless cameras, we now use the AI Servo mode to keep tracking the focus point. This is incredibly powerful as even if your couple doesn’t move, but you do, your focus should still be locked and tracking allowing you more freedom to focus on other points of your image.
Live View Continuous
Single Point
The couple
The way the EXIF is written out follows the common photographic method (with the inclusion of White Balance at the end). Here it is broken down:
Shutter Speed @ Aperture ISO White Balance.
At this point, the sun was a little higher than the horizon. So much so that we didn’t quite have that golden hour just yet. It was coming from the right of the frame which helped to create a beautiful sidelight on our couple. We had them turn towards us not only for the composition but because we didn’t want to shoot directly into the sun either. You can see how the light is touching them by paying attention to the bride’s arm.
Natural Light
Sunset
To edit this shot, we applied our new experimental preset to the image which keeps the skin tones on the warm side while also having a slight wash of warmth over the whites. We tweaked the exposure, white balance, and other usual sliders in the Basic panel to get the overall mood we wanted. From here, we added a layer of grain and called it a day. A very simple image to edit.
Carrying someone, of any weight, get’s difficult after some time. We can’t expect our groom to hold up our bride indefinitely so we had to be quite fast with everything – and also keep enough energy in him to be able to safely bring her back out.
As soon as we knew we had our shots, we asked them to leave the water. The whole time we were telling them that we’re nearly done, and that in just a few more shots they can leave.
Cala Tarida
Carrer Posta de Sol, C/ de Cala Tarida, 21, 07829, Illes Balears, Spain
Beach / Coastal
Spain
If you’re going to go in the water, make sure that you have as many shots of the bride in her dry dress before. There is always a risk that the water can ruin the dress and it’s never a wise thing to start off in the water. Unless, of course, you plan to shoot entirely in the water. Nonetheless, make sure you plan this with your couple and that they are aware of your plans.
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