We really wanted to keep as much of the room decoration in the picture but at the same time not loose the attention towards the groom. So we chose to shoot in portrait to allow us more vertical real estate and to limit how much of the rest of the room made it in the image. We also tried to frame our groom in the gap of the shelves ( happened by chance) as it created a mini-frame around him.
Center Framed
The focusing was very straight forward; we simply moved our single focus point over the face of our groom and let the camera lock on. Even though we did shift ourselves slightly between shots to fine tune the composition, we didn’t really struggle landing focus.
Single Shot Autofocus
Single Point
The Groom's Face
The way the EXIF is written out follows the common photographic method (with the inclusion of White Balance at the end). Here it is broken down:
Shutter Speed @ Aperture ISO White Balance.
The room was relatively dark, considering it was a full clear day outside. There were two windows on either side of the kitchen counter where our groom leant. It was by chance that he found this spot to hang out on, and so we didn’t really need to move him according to the light.
Natural Light
Indoor
Editing this image was pretty easy – all we did was add in our starting preset (Protea) and then adjusted the white balance to get the skin tones we liked, adjusted the exposure sliders until we got the mood and tones to our liking and finally did a simple scour of spot removing with the clone tool (removed some dish soap by the sink). Finally, we added a radial adjustment to create a manual vignette around our groom which brings even more attention to our groom.
A challenge with this shot was being ready to take the picture in time before he decided to move. We didn’t want to disturb him or even catch his attention as what he was doing was just perfect.
In this situation, keeping quiet and just shooting was the key. Without mentioning or saying anything, we moved ourselves into position, set up our exposure and fired away.
Quinta da Penalva
Quinta da Penalva, Sintra, Portugal
Kitchen
Portugal
Moments like these can happen without any warning and it really boils down to just being ready for anything as well as luck. Pure and simple. Not every shot has been carefully, creatively and meticulously planned for. A lot of the times it’s just the stars and moon aligning and luck happening. And thats okay – we all get lucky sometimes.
But how do you increase your chances of being lucky? Well, being agile, fast and experienced with your equipment, your style and your vision. And this takes time; so don’t beat yourself up just yet if you’re new. Keep at it, and soon enough you’ll start to see moments before they happen and you’ll see images without needing to hold the camera up to your eye.
Where are we going?
Account
need help
This content has been marked as Premium and requires an active subscription in order to access it. We’re so sorry about that. But hey, here’s what you can do:
Get access to everything on the site as well as a ton of perks & benefits.
Well then, let’s get you logged in and hide this annoying thingy-ma-jig.