Since we were shooting on a relatively clean and simple background, the composition was more about how the model appeared in frame. And in this case, I wanted to be fairly close up to her as I was loving the vibes she was giving off. I did slightly crop this image in Lightroom just to refine her positioning but overall, my goal was to have the frame filled with the subject but with enough breathing room around her to not make the image feel overly crowded of full.
None / Simple
Center Framed
I had the camera set to AI Servo focus which is a setting I’m often use, and I simply moved the focus point over the model’s face to focus on her eyes. However, this image doesn’t benefit from sharp focus – in fact, it’s the blur and imperfection that “makes” this image.
Single Shot
Single Focus Point
The Face
The way the EXIF is written out follows the common photographic method (with the inclusion of White Balance at the end). Here it is broken down:
Shutter Speed @ Aperture ISO White Balance.
This was taken indoors right next to a large window. The outside weather was more on the rainy/cloudy side which did limit how much light was actually coming in through the windows. I wanted to have the model lit as the shadows were not strong enough to have a “harsh light” effect. Therefore, we had her stand at a part of the wall where the soft light was falling.
Natural LightWindow Lighting
Soft,Directional
Afternoon
IndoorCloudyRainy
This was a relatively easy photo to edit; I simply added the Chérie Presets by Roots Presets to the image, made some minor adjustments to the cropping, white balance, and exposures, and then finished it off with a layer of grain.
The only challenge that I had was risking the fact that I could create an image that is just not great, or worth delivering.
By being the “second” shooter, It didn’t matter to me whether I made something deliverable or not at this point. I knew we were getting the safe, banger shots from the lead photographer, Melli.
Gebrueder Fritz Studio
CARL FRITZ, Münzstraße 23, 10178, Berlin Mitte
Studio
Germany
If you’re working as a pair or duo, it’s important that you both understand your roles and know who is shooting what. What we found works best is to have one of you lead the shoot, and the other to focus on things on the side such as little details or experimental ideas. That way, not only do you not get in each other’s way, but the subject(s) only need to pay attention to one of you; and are not torn between who to listen to.
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