We wanted to capture the full bodies of our couple as they gently swayed to their music. It allowed us to show more of the room and capture more of the atmosphere that was there. We even went as far as shooting through things we found in the room, such as the staircase leading up to the master bedroom.
Center Framed
Focusing in such low light is definitely a challenge. We wish we had some secret recipe for nailing it all the time but truth be told, we missed a few shots due to the focusing. The best tip is to look for contrasting elements such as where the dress meets the skin, or even the details of the dress.
Single Shot Autofocus
Single Point
The brides back
The way the EXIF is written out follows the common photographic method (with the inclusion of White Balance at the end). Here it is broken down:
Shutter Speed @ Aperture ISO White Balance.
The only light source we had was the candles on the table and around the room. We fell in love with this atmosphere and our couple looked so good dancing gently amongst it. We positioned ourselves so we were shooting more or less into the candle light since this gave us a gorgeous natural rim light. If we shot them from the other direction, they would look “flat”. Or almost like we used a pop-up flash.
Natural Light
Evening
Indoor
Since the main goal of this image was to capture the ambiance of this moment just as much as the moment itself, the editing had to match that vision. We kept our exposures pretty low since we just loved the dimly lit room. We added our protea preset, but had to reduce a lot of the strong saturated colors via the HSL sliders. We tweaked a few things here and there and then proceeded to add a few radial filters (for the vignetting) as well as some dodging & burning with the brush tool. We also took the spot healing tool to clean up a few distractions in the image.
The biggest challenge we had was making sure we had the right exposure for such a dimly lit scene. We had to get our balance between being dark and moody ( the look we were going for) but bright enough so that we could actually focus on our couple and outline them.
A neat little thing that (most) cameras have is their live view shooting. We often switch to this mode to see exactly what our exposure is going to be when we press the shutter. This is pretty standard on mirrorless cameras these days as they all have electronic viewfinders where you see exactly what you’re going to get (but if you’re still old school like us, try out your live view).
Riessersee Hotel
Riess 5, 82467 Garmisch-Partenkirchen
Hotel
Germany
Definitely try to shoot without a flash when you are given atmospheric settings like this. Chances are that your camera can handle the noise and your post-production can help too. As much as possible, give your couple their space to be alone and forget about you. Try not to make a single sound and move very gently. The whole idea is really to get them into an authentic moment for you to capture.
Finding an ending to an elopement story is really important. However, you go about it, that extra mile that you’re considering doing – do it. It is always worth it.
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