As our couple was already standing and admiring the sunset, we simply asked them to stay where they were and to hold hands. The rest we didn’t want to disturb. It was that moment that we wanted to capture right then and there.
Oh wow, guys! What a sunset! Stay exactly where you are, we’re gonna get some wide shots. Hold hands if you can, and just enjoy what you’re seeing
Calm
At this moment, we couldn’t go further back due to terrain challenges, so we did the best we could. We really wanted to give more emphasis to the towering mountain and that golden sun-blast, so we actually got onto our knees and tried an angle from below looking up. We framed the couple in the lower half to allow more space for the mountain at the top. By giving emphasis to the mountain, we are showing scale, grandeur, and impact.
Lower Thirds
The focusing was a bit tricky since we had to deal with the grass in front of our lenses. But fortunately, that’s where using a single point in the autofocus comes in super handy. We moved ours over our couple and that tells the camera to only look for a focus on that spot – nowhere else. This gave us much more control over what was being focused on.
Single Shot Autofocus
Single Point
The Couple
The way the EXIF is written out follows the common photographic method (with the inclusion of White Balance at the end). Here it is broken down:
Shutter Speed @ Aperture ISO White Balance.
Since we wanted to keep the light as an element in our final image, we made sure to place it behind our couple. We had our couple turn and face the sunset not only to show what they were doing but so that it would light up their faces when they turned slightly.
Natural Light
Sunset
We applied our Protea presets as a base to the image, then warmed it up with the White Balance. We tweaked the exposure, highlights, shadows, clarity and the like to get the right mood for the image and took extra time to enhance the light with local adjustments (brushes & Radial filters).
The main challenge we faced here was actually getting ourselves low enough to capture the scene we wanted. Even though we didn’t get the full spectrum of the scene (and knew we wouldn’t), we still wanted to go give it a shot.
The fact that we just tried made all the difference. Even if we knew we weren’t equipped to capture the whole mountain & scene, we still went ahead and tried it. Once we got back home and looked through the images, we ended up really liking the whole shot.
Gardena Pass
Gardena Pass, 39033 Corvara, South Tyrol, Italy
Mountains
Italy
Don’t be afraid to experiment with angles that you would normally avoid entirely. Like in this case, pretty much shooting from so low down we had were amongst the grass. In the end, it can go one of two ways: it works, or it doesn’t. And if it doesn’t, you hopefully will try and understand why it didn’t work.
When it comes to editing a shot where you have a ray of sun (or something similar), it really becomes worth it to spend a bit of extra time doing local adjustments (brushes, gradients & radial filters) to enhance what was already there.
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