Typically, I give more direction to models/clients however Stella is such an incredible talent! I asked the model to gently frame her face with her hands. Since she was quite experienced, she did it flawlessly.
“Frame your face delicately with your hands.”
Calm
Walking through a park, we came across a twisted mess of branches that seemed to naturally have a center point and place to frame a subject. I directed Stella where to stand so the branches intersected above her head.
Lower Thirds
I always want to make sure that I nail focus on the subject’s eyes. I focused on her iris (while her eyes were open) and maintained the same focus point as she moved through various poses with her hands and expressions. She was consistent in her placement however so I did not need to refocus during this sequence.
Single Shot Autofocus
Single Point
Eyelashes
The way the EXIF is written out follows the common photographic method (with the inclusion of White Balance at the end). Here it is broken down:
Shutter Speed @ Aperture ISO White Balance.
I used daylight only for this shot. The sun was behind the model, but she as standing in even shade due to the branches and trees behind her. I always try to find even lighting when shooting subjects.
Natural Light
Afternoon
I like to edit true to color with a little added richness and depth. I use a custom preset that I’ve tinkered over the years, but my plan is to sell and develop a line of presets in the future! After I get the tones, white balance, and exposure to my liking in Lightroom, then I pull the images into Photoshop. In Photoshop I use a frequency separation action to smooth skin that I downloaded from a tutorial on Phlearn. I love keeping the natural texture of a model’s skin so frequency separation is a great way to smooth out imperfections while keeping the image looking natural. My final step is to use light and dark exposure brushes to highlight and contour the subject’s face.
The biggest challenge was shooting in a semi-urban area with a multi-use trail and even some houses nearby while trying to maintain some semblance of a real woodsy or forest feel.
The trick was to just keep exploring and moving around the area. We found this spot right at the very end and we could have easily overlooked it if we didn’t keep our eyes open.
Boise, Idaho
4049 S Eckert Rd, Boise, ID 83716
Forest
United States
My advice is to really explore the area that you are shooting! This shot, my favorite from the session, was actually one of the very last pictures I took. We kept walking through the park looking for interesting backdrops and this spot was found actually when we were walking back to our cars! I thought that the branches looked interesting and asked if she would mind stopping for a few more pictures.
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