Autumnwedding

Before
the Shoot

Location Equipment
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After dinner and the speeches of the parents, the bridal couple headed towards the dance floor for the first dance. During the pre-wedding talks with the couple, I suggested that colorful disco lights would not be too pretty for a romantic first dance and suggested things like fairy lights and sparklers instead.

These lights make a big difference in the atmosphere and won’t take away from the focus of the couple. In order to get the right exposure though, I do have to use a flash as the dance normally takes place somewhere quite dark.

So of course there is a little challenge here every time. And every dance presents this challenge because it is absolutely impossible to plan photographically. The aim of the whole image was to reflect the energy and the prevailing mood during the wedding dance in light and form and to evoke this feeling when looking at the picture.

My aim is to connect a feeling, an atmosphere, or a memory with the images. And this is often not achieved through perfection – art is not perfect.
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Location

Location Name

Waldorfer Höfe in Ochtendung

Location aDDRESS

Waldorferhöfe 10, 56299 Ochtendung, Germany

Country

Germany

Location TYPE

Barn

Equipment

Camera

Sony A7 III

Flash

NW880S

Lens

Sony 85mm f/1.8

Lens Filter

None

Other Equipment
No additional equipment was used.

During
the Shoot

Directions Composition Focus Light & Exposure
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Autumnwedding

Composition

Why I composed the way I did

The picture should act as a frame for the wedding dance. The bride and groom with their energy and movement should be in the foreground. That’s why I chose a very narrow frame. Nevertheless, something of the atmosphere should be recognizable at the edges, namely the guests standing in a circle with sparklers.

Placing the couple during the dance is of course not possible. But I myself moved along in such a way that I could place the couple in the middle, in order to draw the eye directly to it and to direct the focus completely to the two and their energy.

I often disregard the rule of the “golden ratio” and place my couple in the middle of the picture. For me, this creates a completely different emotion when I look at the picture because my own focus and feeling are directed more intensely towards the couple.

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Tags

Rule of Thirds Center Framed Mid Range

Focus

Focus mode

Single point auto focus

Focus Technology

Continuous Autofocus

Focused on

Bride & Groom at seperate times

Focus description

The couple was moving so very fast during the dance, so I used autofocus on one of them at any given time. The eye focus can lead to problems here (surrounded by the guests), as the eyes of a guest may be captured by the camera instead of the couple. This way, i was much more in control of what was being focused on.

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Shutter Speed

1/250

Aperture

f/1.8

ISO

1250

White Balance

Auto

Other Light Sources
No additional light sources were used.
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Light &
Exposure

How the light was used

Complete darkness after sunset during a wedding celebration is always a challenge because often when flash is used in pictures, it no longer looks natural. That’s why I prefer to avoid using a pop-up flash on the camera, and if I do, then only with a diffuser for it. However, I prefer to use a flash with a diffuser. This gives me the opportunity to recreate the direction of light that I would assume in natural light. I usually use the backlight of the off-camera flash in the dance to illustrate the energy and ‘Joie de Vivre’ and intensity of the couple as a stylistic device through, for example, the flare or light reflections that spruce up the image.

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Tags

Artificial Light Back lit Directional Light Night Indoor

After
the Shoot

Editing & Presets
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Autumnwedding

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Editing &
Presets

Editing Software used

Adobe Lightroom Classic

Preset Used

Lichttrunken

How I edited this image

I used my own “Lichttrunken” preset and adjusted it in the orange tones, white balance, and exposure. My preset made the lighting situation seem much warmer and the atmosphere of the sparklers and the resulting light became clearer and more realistic. Due to the strong backlight, the image blows out a bit and it is necessary to adjust or increase the contrasts and clarity to bring back details. Apart from that, however, I did not make any corrections or retouching. I only used a radial filter to darken the outer areas and draw the eye more easily to the bride and groom.

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Conclusion

Challenges Solutions Advice

Challenges & Solutions

Events that were challenging during the shoot

The biggest challenge was the darkness, the unpredictable movement of the bridal couple, and the limited space. Such a lighting situation requires creativity and spontaneity. Intervention is of course not possible during the dance, so maximum flexibility is required.

Solutions I found

Try to anticipate the space for the dance, position your flash so that you have the desired direction of light, ask the guests not to go in front of the flash for the period of the bride and groom’s dance, and then be flexible with the bride and groom’s movements and energy. This will allow you to incorporate that energy into the image.

Advice

Use the movements and the energy of the bridal couple for artistic effects in the picture and try use the light creatively.
The dance is always something special and it should also be visualized in the picture through artistic light, for example. If there’s one thing I’ve learned about wedding dances, it’s that you can try prepare for it, but it’s a surprise every time and requires full attention and flexibility.
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Photographed by

Licht Trunken

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