Photographed by The Kitcheners


These days we primarily photograph small weddings and elopements but every once and a while we enjoy photographing a big, traditional wedding and the challenges and rewards that come with it. 4 years ago we had the honor of photographing this amazing wedding day in the French countryside and it’s a day we still smile about today.

I remember being on my toes for 14 hours straight that day and arriving home to our Airbnb at 3 am in the morning completely annihilated physically and mentally but still on a total high because of all the amazing moments that we had captured that day!

It was a non-stop extravaganza of a day full of big characters, emotional moments, and some serious partying well into the morning!
The shot was taken at midnight during the first dance right before the real party kicked off!
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Center FramedWideFull Body

When taking the first dance shot we always make sure to take a full body (either vertical or horizontal) and then take some closer, more intimate shots afterward. We composed this shot vertically to be able to capture the couples’ full body (and some of the scenes behind them) but at the same time cut out a lot of the messy distractions that were to each side of the couple.

Shooting vertically with the 50mm lens was the best way to achieve this. We made sure that the couple was in the middle of the frame and that the spotlight to the top right was within the frame to illustrate to the viewer where the light was coming from. Also, In order for this shot to work, I needed the couple to dance as much as possible within the spotlight so that they would be illuminated and separated from the background by the outline of light. Just before the first dance started I had a quick chat with the bride and groom and asked if they could try and hover within the spotlight area. I also explained to them WHY I was asking them this and let them know that the result will be totally worth it!
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Don’t forget to try photographing a scene vertically! Sometimes the result can be even better than shooting horizontally.


Single Point Focused on On the bride’s face Single Shot Autofocus
Single point continuous focus (center frame) with the viewfinder, I focused on the bride’s face, locked the focus, and then recomposed the shot (‘focus and recomposing’ technique).
Light & Weather

Artificial LightBack litNight

Whenever we take first dance shots we always want to try and use natural light if we can. We’ll only use speed light if it is so dark that the photo will be too grainy and unusable (which hardly ever happens). I was fortunate that day that the DJ brought 1 big spotlight with him! When shooting a couple that is backlit by a spotlight, the effect can be really cinematic and it can be a really good way to separate the subjects (the bride and groom in this case) from the background.

The DJ originally had the light pointed on the crowd behind the couple so I asked if it would be possible to point the light in the direction of the couple to get the backlit effect that I wanted. He also had some colorful laser effect lights ready to go so I asked if he could switch these off just for the first dance because, in my opinion, the lasers would have ruined the romantic and classic look of the scene.
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Equipment & EXIF

1/400 f/2.0 ISO 800 WB Auto


Nikon D750


Nikkor 50mm f/1.8


Adobe Lightroom Classic Emotive Preset by The Kitcheners

Software used:


Adobe Lightroom

Firstly the image was cropped and centered correctly and then our Emotive color preset was added. White balance and tint were adjusted to create a more natural-looking light and a brush with some extra exposure was applied to the couple to bring out some more detail in the upper half of their bodies. Finally, I used the brush to make the people in the background a little bit darker so as they didn’t distract from the couple dancing.
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This image was edited with

Emotive Preset by The Kitcheners

Challenges & Solutions
Just a minor challenge. It was a big wedding with A LOT of guests in a small space so my primary concern was making sure that there was room for us to stand where we needed to stand. It happened a few times in the past that we were last to the dance floor and couldn’t find an ideal position.


Wedding / Event Venue France

Chateau SERANS

Chaumont-en-vexin, France

Final tips & Advice

Communicate with your couple and explain to them what you’re trying to achieve. Not everyone thinks like a photographer and sometimes when you ask them to stand in a certain spot or do something specific they might not fully understand what you’re trying to do or may even be questioning what you’re asking them to do. Explaining things to them means you’re all on the same page and are all invested in getting the best result.
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The Kitcheners

Photographer Scotland Nikon D780 Nikkor 85mm f/1.8
We’re Dylan and Joanna and we’ve been photographing weddings and elopements since 2011. Lovers of the great outdoors, an adventure and meeting new people, it was our passion for all of these things that led us to find one another in Australia 11 years ago. We didn’t waste time, we got engaged after 3 months and tied the knot pretty soon after. It all happened pretty quickly but sometimes you just know when you know! For a long time we were both looking for a way to express ourselves creatively and after searching high and low we discovered that photographing people in love and their stories was what made our hearts race. We’re passionate about the real emotions, the honest moments and capturing how it all really felt. To us that’s what it’s all about! Today we live in Edinburgh, Scotland documenting elopements and weddings around the UK, Europe and further abroad.
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“Some people want it to happen, some wish it would happen, others make it happen.” —Michael Jordan

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