I told Andrew to hold Susie-Hannah’s right hand with his left and for them to keep a good distance between themselves, with Susie-Hannah behind. That way, their bodies are pointed in my direction and it looks natural.
“Okay guys, if you head over there and take a slow walk along that ridge to the end. Andrew, hold Susie-Hannah’s right hand with your left and make sure you’re either looking to each other or looking up and around, rather than down”
Normal
The composition was pretty straight-forward because the scene was already there in front of me. I knew I wanted to place them and the ridge on the lower-third and have the upper two-thirds full of the dark clouds and negative space. I went for a few compositions, where they were placed off to the left and right, but I preferred this centre-composed shot.
Rule of ThirdsSymmetry
Center FramedLower ThirdsWideNegative Space
I focussed on the ridge using back-button autofocus. At this distance, I knew they’d be in focus at f1.8.
Continuous
Single Focus Point
Single Point Autofocus
The way the EXIF is written out follows the common photographic method (with the inclusion of White Balance at the end). Here it is broken down:
Shutter Speed @ Aperture ISO White Balance.
The entire sky was cloudy, so there wasn’t any direct light from the sun. However, the less dense bank of cloud below the dark ones was a lot brighter and meant that the couple were able to stand out in the image.
Natural Light
Soft,Directional
Afternoon
CloudyOvercastRainyStormy
I applied my preset, which was 90% of the work and that’s usually all I’ll do. But, I wanted to emphasise the dark clouds, so created a linear gradient and darkened it by reducing the exposure, highlights, and blacks. Then, I created another linear gradient for the lighter bank of cloud and increased the highlights, whites, and exposure slightly to make it brighter.
The biggest challenge I had was in post-processing. I wanted to emphasise the drama of the clouds without making the edit unnatural and over processed.
I used the reference mode in Lightroom to compare the original edit with the changes I was making, to make sure I wasn’t straying too far from the original shot.
Isle of Skye
Brother's Point, Isle of Skye
"Coastal", "Cliffs", "Outdoors"
Scotland
The biggest advice I can give when shooting an image like this is to keep your head up and explore your surroundings. It’s so easy to get caught out by looking at what the couple are doing and not being mindful of what’s happening around you. Taker time to walk with your couple, cameras away, and explore where you are. You’ll often find some amazing wide compositions. Lastly, the 85mm lens is your best friend for this type of shot where you want to create drama.
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