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In September 2021 I set out to Palm Springs, CA for a photographer’s content retreat (shout out to @emilypenuelasphoto). We got to the Airbnb super late the night before and woke up at 4:30am in order to drive to Joshua Tree for a sunrise elopement shoot. The original models actually couldn’t make it, so Leslie and Ian stepped in last minute. There were a lot of moving pieces. We all shot the initial concept and then one of the attendees (shoutout to Emma) mentioned a spot she had remembered from a previous trip on our way back.

We stopped here and the sun at this point was super harsh and I’ll never forget how quickly the desert temperature and light changes. I initially started out as a photographer who was scared of “missing” softer light around sunset. I nearly always shot in direct light, so seeing this structure and the bright morning sun really pushed me back to my roots. I think most everyone wasn’t super into the lighting and was ready to head back for breakfast, but this 5 minute stop quickly became a highlight of the retreat for me.

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How did you direct your subject(s)?

I encouraged them to stand in the doorway and get close together while facing us. Leslie & Ian had such a beautiful connection and just naturally kept their movements flowing. I saw a split second where the symmetry of the shadows & lines really spoke to me.

The sunlight was illuminating them as a couple while also pushing unique shadows through the various openings of the structure. It worked well because there were a lot of uneven slants and shapes; but the sun added dimension to everything it touched. I personally love that Leslie’s body is in the center of a clean shadow line and you can see that sliver of green behind them. That helped their features not get lost. Honestly, it was a special moment and there’s nothing I’d change.

What did you say?

Hey, so I’d love for you two to bask in the sunlight together and take in this moment. Go ahead and move to the doorway and face each other. Do what feels natural. I’m going to back away and get a wider shot of you all embracing and moving the direction of your heads slowly.

How did you compose your image?

Framing the image like this just made sense to me. Personally, I tend to enjoy placing subjects near center in my work. Especially when the background adds to the story. I like harshness because if you expose it right, there’s so much detail to be seen. I guess you could say I broke the rule of finding softer light.

When we all first arrived to this location, we started out inside the structure playing with shadows. The two archways at the front really created a unique setting with both color and light. Encapsulating the entire structure.

Ultimately, I wanted to capture the depth of our surroundings. This was my first time in the Joshua Tree desert and there was so much to discover. I love that we stopped here and took 5 minutes.

How and what did you focus on?

Since the subject and structure were in alignment, I set my camera to focus on both. I’m tall so I personally enjoy live view mode so I can stand up straighter. I utilized autofocus and that’s simply my go to when it’s bright out.


How did you use the light in your image?

It was 8:34am and the sun had risen probably an hour before that. It was in full view with no cloud cover or diffusion to the right of me. I found it to feel pretty intuitive because I just felt so inspired with all the elements in front of me. Honestly, I felt pretty open minded about what the results would be. I had gotten super cold in the desert at sunrise and make the mistake of clicking the JPEG file format (big oof). I centered myself at this stop and realized what I had done, so I switched it back to RAW and took this shot.

What was the gear & settings you used?

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Canon 5D Mark IV


Sigma Art 35mm f/1.4





Shutter Speed






White Balance


How did you edit your image & what did you use?

For a while I had been using Dawn Photo Campfire presets, but have built my own personal ones that I utilized here. I typically go for a balance of warm and cool.

I enjoy teal blues, pastel-inspired tones and muted greens. I wanted the shadows to have warmth while not losing the blue sky/green wall. For HSL, I essentially expose in camera for how I want to edit. I lifted the shadows and brought the highlights down a smidge in Lightroom. Other than applying my preset and adjusting those two things, I didn’t do anything else.

Software Used

Adobe Lightroom Classic



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What challenges did you face?

The biggest challenge I faced was time. The higher the sun got, the more shadows it would potentially cast on their faces & the group of photographers was ready to head back to Palm Springs. Ultimately it lined up well, but I had to get something I felt good about and head on out.

How did you solve them?

I saw what I wanted and worked efficiently to get er done.

Can you share any last thoughts or advice?

I learned to sink into my beginnings and to do things that speak to me. I’d encourage photographers to not view old work as bad, but as a stepping stone to where they are now. If I had rejected my older work, I wouldn’t continue to experiment heavily with light and maybe even stopped to capture this.

Amaris Sachs

Shooting since


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I believe that capturing the beauty of life & connection is what I’m here on earth to do. I can’t imagine existing without stories and the ability to push my boundaries as a person. I am a documentary wedding & editorial photographer based on the East Coast. At the center of my work is a commitment to authenticity, intention & excellence from beginning to end. My background development in dance has equipped me to have an intrinsic understanding of lines, movement & harmony between moving pieces. Seeking out excellent food experiences, securing new perspectives in familiar places, running around barefoot and learning to breathe deeper are my bread and butter. I hope you feel welcome here.

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